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If you attended the Cape Town Art Fair last year, you’ll remember Warren Maroon’s arresting solo booth, Between us, presented by Everard Read. His work strikes an enviable balance between relatability and unease. Familiar materials and objects invite the viewer closer, but tension quickly becomes apparent as one considers the intricacies

It’s been six years since Lizette Chirrime first worked on a screen print with us, and in those six years, she has been making a significant impression across the globe. Her most recent triumph took place in Paris, where she was invited to participate in the prestigious Gulbenkian & Thanks for

Ulriche Jantjes is one of those emerging artists that you’ll want to keep your eye on. Her work is, quite simply, captivating, and demonstrates a beautiful, multi-layered engagement with her subjects, process, viewers and communities. She’s also a dream to work with, with an enthusiastic professionalism that belies her years, and

Anton Kannemeyer and Claudette Schreuders need no introduction. Bursting onto the art scene during South Africa’s volatile 1990s, each established an impressive career over the following years, becoming internationally revered in their respective disciplines. In the 50ty/50ty studio, working with each of them as individual masters of their craft is always

Githan Coopoo is back with his inimitable brand of tragicomedy – this latest offering a delicious follow-up of his first collaboration with us last year. And while we’ve only just released this latest original print online, it has flown off the proverbial shelves due to its smashing debut at the

Our latest release comes from the inspired hands of Kylie Wentzel – a fast-emerging artist with four solos to her name since graduating just nine years ago. We’ve been privileged to work with her since 2020 and to witness the exciting developments within her practice, one of which is a shift

Continuing a central theme in Gerhard Human’s work, Punks in the Gym posits layers of questions rather than certain answers. Just what are we seeing in this original screen print? A booze-fuelled brawl – or ritual combat? Anti-establishment anarchy – or nihilistic disaffection? The necessity of violence for revolution – or the

Githan Coopoo is acclaimed for his clay-based handbags and vases adorned with brash colours and relatable witticisms – his oeuvre an irreverent collection of sculptures that he calls “false ceramics”. His style and sensibility translate splendidly to screen print, with the medium’s capacity for vivid colour, as well its history of

The young and remarkable Balekane Legoabe recently joined us for a fruitful residency at the 50ty/50ty studio. Involving five days of hard work, sharing ideas and skills, and serendipitous moments and encounters, the residency offered just the kind of collaborative environment we love, and the results – our latest release